A Doodle a Day Part IX

Sometimes when my journaling habit collapses, squeezed out by the busyness that I perceive in my life (whether it’s really there or not), I still find time to doodle. I have very basic app on my phone that makes it easier.

I like to ask people the question: if you could swap your primary creative talent for another, would you? And what would it be? Most people say, ‘no, I wouldn’t.’ But I’ll admit I have artist’s envy for people who can draw as wonderfully as a couple of people I know. When you’ve looked at these phone scribbles, go and check out the work of a couple of pros:

Daniel Weatheritt – A very inspiring illustrator I’ve had the pleasure of working with recently.

Philippa Cappelman – A gifted draughtswoman friend who has recently launched out.

Self Portrait

Self Portrait

Swift

Swift

I'm still fairly obsessed with trying to draw swifts

I’m still fairly obsessed with trying to draw swifts

Tree

Tree

Dog

Dog

Mooning Hare

Mooning Hare

Crustacean - I love these creatures and wish I could draw them

Crustacean – I love these creatures and wish I could draw them

The Good Land

The Good Land

See some of my previous doodle posts.

I thought it would be fun if we blog hopped

My blogging badly needs a shot in the arm, nay an intracardiac dose, of blah-blah fuel, so it is with great pleasure I’ve accepted Rob Rife’s invitation to a blog hop.

Rob Rife - Ascendant Canadian Bard

Rob Rife – Ascendant Canadian Bard in Yakima Valley

Basically, it’s a writer’s pyramid scheme, blog-based chain letter, tasteful tag-fest thing. I’m one of three writers Rob’s asked to answer four questions about writing and the writing process.

It is hoped that this will entendril the blogging writersphere ecosystem with fruitful vines of interconnection, lead readers to discover new and lovely writers and give others an insight into what makes some of us tick.

Not only because Rob’s said nice things about me in his post but also because, in my opinion, he’s “one to watch” as he climbs steadily the ladder of latter-day bards, I really hope you hop back up the vine and check out his writing. I think it speaks for itself in a unique voice and it takes a lot make me think, as I do, “when that book comes out I’m buying it” whether the author is my friend or not.

So…

1) What am I working on?
When I’m not writing for others, I’m mapping the terrain between my subconscious and conscious realities, my dreaming and waking worlds, and dredging up short stories as I go. These are broadcast semi-regularly as a podcast at Stories from the Borders of Sleep. They are stories for hearing rather than reading, so any book that may come from them in the future will be more of a spin-off than a substantial target met.

Borders of Sleep illustration by Robyn Trainer

Borders of Sleep illustration by Robyn Trainer

This is a long-term project. I intend to continue it until the twelfth of never and would be quite happy to let it be my life’s work. It provides a creative discipline through the need to continually bring out new material and is immensely satisfying as I know it goes straight to an audience that, my stats tell me, downloads on average a hundred stories a day.

Alongside that, and not a million miles removed from it, I’m working on a book that probably sits in the ‘self help’ section. Broadly, it’s about using different parts of the body as a way of connecting inner reflection with outward action. If that sounds too wooky, then it could alternatively be described as a book about anthropology and time management.

2) How does my work differ from others of its genre?
I honestly don’t know because, with perhaps one exception, I don’t really read the stuff that might be similar. The exception is that I have derived a lot from the works of George MacDonald. He occupies the high points of mythopoeic romance to which I can only aspire.

To feed myself, I study literary classics, folklore and history, watch TED talks and look for books in brooks and sermons in stones. I should probably be reading Paul Coehlo, Haruki Murakami, Susanna Clarke and Neil Gaiman, but I don’t have time.

3) Why do I write what I do?
It has always been the same motivation for me, that simple line from the screenplay of the film about CS Lewis, Shadowlands:

We read to know we are not alone.

Books have been my greatest comforters and companions in helping me make sense of this way between earth and heaven where we all have the temporary use of a body, a mind and some words. Therefore, put simply, “I write to let others know they are not alone either.”

4) How does my writing process work?
I need to work in long stretches of time so it only really happens when I have a few uninterrupted hours in the dead of night or the wee small hours. Saturday mornings are good, too.

I write standing up because I constantly need to fidget or walk away to calm down or let the kinks work out in my head.

Actually starting something is Mount Everest, everything after that is Cool Runnings (apart from editing, which is K2). Finishing something is a serious hit on my dopamine receptors.

I usually only need one or two ideas, the rest takes shape as I go along. So I might start just knowing I want to write about a couple of trees I saw with intertwined limbs. Then it’s just a case of letting my imagination play out and making sure I take notes and keep up.

That sounds easy but it takes quite a toll on me. I think I write in a trance – it’s a bit like getting drunk. I get elated, then I get hung over. Maybe a better answer to the previous question is just that I’m an addict.

And on to …

This is the bit where I tell you who to hop on to next … I’m still recruiting victims, but here’s my first:

Justin Lau – Writings of a Vagabond at Peace

When Justin first appeared in my life, I felt an immediate connection – although I suspect he has a gift for making most people feel like that. In spite of our very different backgrounds, our few conversations have got straight to the heart of the things that most interest me. We’re both multi-instrumentalists and we both love writing. We both see our creative calling as not fitting the box of one particular medium or art form although writing seems to be the brightest thread. We’re both gnawed by the great question of  ‘where is home?’ as people who have been geographically adrift among cultures from an early age. We’re both intrigued by Japanese culture – although he has more of an inside track on that. He introduces himself very well and explains why he’s a ‘Vagabond at Peace’ in this blog post.

Justin Lau's cheeky face

Justin Lau’s cheeky face

Justin describes himself as an ‘aspiring author’. That’s brave and honest. The title brackets him with millions of others who ‘hope to write a book some day’. The thing is, I think he just might be one of those who actually does. I dream with him that he’ll one day write the great Japanese novel. In the meantime he shows a flair for flash fiction, writes prolifically in search of his voice, studies English Literature at Durham University, has an eye for well-turned prose and an ear for a lyrical song.

Justin has recently restarted blogging (prompted by this post, in fact), and although there’s not a lot there yet, he’s definitely one to watch. You can literally watch him on YouTube and hear him on SoundCloud – but seriously … check him out!

Swifts for the tacit longings of our adult years

As we approach middle age, is it normal for birds to become more fascinating to us? We start feeding them, watching them, doodling them. Do they represent our longing to shed the earthbound web we’ve woven for ourselves and to be as light as air? Maybe it’s just me.

Once again my scratchpad (the notebook I keep strictly for rough work/business notes, lists of action items and phone calls) has been invaded by the doodling dreamer.

try to make a swift with as few strokes of the pen as possible.

try to make a swift with as few strokes of the pen as possible.

Notebook Wars

A good writing implement can bring out the best in us.

I’m mainly a pencil person for taking notes, doodling and writing. For journaling, inking in or neater work, I adore the triplus® fineliner by STAEDTLER. But lately, a couple of fountain pens have been added to the arsenal. A good one, well primed, is a wonderful writer. A bad one can fill a page very quickly with bizarre textures and symbols.

The pages of my scratch book have recorded a strange battle over the last week or so:

 

I like to believe that even the way we scribble when trying to get a blasted pen to work can be pressed into the service of narrative.

 

 

 

One Big Story Part II

As a partial explanation of my failure to maintain this blog for the last few months, here’s one of the things I’ve been up to:

 

Words I wish I could have played in scrabble

An infinite number of monkeys...

An infinite number of monkeys… (Photo credit: Olivander)

I have an app that seems to be permanently open in my brain; maybe it is a monkey on a typewriter. Strings of letters constantly rearrange themselves and every so often a combination sticks and I have a new word in my head. I’ve tried to figure out what to do with these words.

Some of them have ended up in a story I wrote, about a “jellyfarglemarsh”, which you can listen to over at Stories from the Borders of Sleep. Others are being collected in a document on Draft  (superb tool for distraction-free writing and collaboration invented by Nathan Kontny) until I find a use for them. As a writer, you always need new words for things.

The typewriting-monkey app goes crazy, though, when I play Scrabble. In the last month, I would have scored a lot better in Scrabble if I could have played some of the following non-words:

opet
ovisa
tabe
joen
earez
loat
beetis
thone
pety
rhoney
mooty
jora
saum
nute
duntie
chun
zenu
opida
antid
laicana
zouf
zelam
criben
agantile
vermid
canu
prestagelent
adabs
ariab

So there we are.

I guess, if any other chump googles them, they will end up reading this post.

Would any of my readers care to come up with meanings for some of this new vocabulary?

Lest you be tempted by the dream of freelancing …

I’m not complaining for a minute; this is the life I have chosen for myself and I love it. As in any job, though, there are good days and bad days.

I am often asked for advice by people who are considering going self employed in creative fields and my first line is a reality check. If I had known all this when I started three and a half years ago, I don’t think it would have changed anything, but this is my second attempt to “go it alone” after I learned some hard lessons the first time round, which was about ten years ago.

Dream

Reality

Shuffling to your PC in your pyjamas with a cup of coffee at 11am to start work Getting up at 6am and sometimes working ‘til midnight to meet a deadline.
Lunching with friends Skipping meals because you are “in the zone” and don’t want to lose the flow
Being your own boss and beholden to nobody Working for a string of “bosses” in succession and often simultaneously
Never having to fill in another job application Being on a permanent job hunt to line up the next month of work
Never having to go through another annual performance review Trying to stay on top of your game and develop your skills with virtually no guidance
Holidays when you want them No paid leave and the laptop comes on holiday with you because it’s impossible to “abandon the baby”
Extended amounts of time in your own little world Missing the banter and mutual support of a work environment
Doing what you love every day Tax returns, accounts, marketing, pitching and admin at least 30% of the time
Time to work on your “big idea” Shelving the “big idea” until things calm down a bit
Having control over your working environment Moving to the kitchen because the desk is too cluttered, tripping over the laundry pile and the dog/cat who is doing everything in its power to distract you
“My office is a coffee shop” Spending half an hour trying to get access to their unfeasibly slow WiFi, getting the shakes by lunch time (after your 4th espresso), going outside to take a phone call that you don’t want to be overheard
Practice the guitar in your “lunch break” Twitter, Pinterest, Facebook and Stumbleupon in your “lunch break”
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