As a partial explanation of my failure to maintain this blog for the last few months, here’s one of the things I’ve been up to:
So Gillian over at skybluepinkish tagged me in a desperate bid to get me to blog something.
Thank you, Gillian, you have done me a favour!
This tag is part of a global blogfest encouraging writers to let everyone in to their current work in progress. I’m not sure mine is “the next big thing” but I would like to have it done by the end of this year.
Cue the tape … here goes:
What is the working title of your book?
It’s called “The Coat and Ring”, which, in the great tradition of Grimm’s fairy tales, does what it says on the tin – a coat and a ring being major players in the life of the protagonist. Theologians may notice a tenuous reference to the return of the prodigal son in the title, too:
“Bring the best robe and put it on him. Put a ring on his finger and sandals on his feet.”
This wouldn’t be entirely coincidental.
Where did the idea for your book come from?
The whole thing was mapped out in essence in a dream I had while resting on my bed one afternoon about six years ago. I often take a nap in the afternoon and this is a good time for dreaming. Soon after that I used it as a tale to tell friends on long walks. When I came to writing it down (intending a short story) it sort of grew beyond control.
What genre does your book fall under?
Romantic Faerie Phantasy (not romance, fairy or fantasy)
Which actors would you choose to play characters in a movie rendition?
The protagonist is told from the first person. He’s in his 20s and grappling with the transition into adulthood. He’s just a kid, really, who finds himself boxing way above his weight. His origins are a bit mysterious. He needs blue eyes. He is James Mcavoy!
Then there’s the avuncular “Terrence”, an epicurian patriarch who presides over a year-long banquet in his mansions, which are built over an oasis. He is Donald Sutherland.
There’s a merchant turned adventurer called Selwyn.
“His eyes were set deep in a wrinkled, nut-brown face, glowing out at me with a couple of pinpoints of reflected light that nevertheless seemed to come from inside him. The edges of his ragged moustache concealed the corners of his mouth which, by the laughter in his eyes, must have been turned up in a friendly grin – although it was difficult to be sure. Like a man who has been in the sun all day and who through the night gives off the radiance of what he has absorbed, I felt a strong glow from him. It was impossible to tell his age for his skin was well weathered by the elements rather than age and he gave off an air of rude health”.
I’m thinking … Daniel Day Lewis.
Finally there’s the girl. She’s descended from a family that made its living from the sea and she is rumoured to have a dash of mermaid blood in her veins. I need someone suitably ethereal, oddly otherworldly. This was tricky but I’m casting Lily Cole:
Next question …
What is the one sentence synopsis of your book?
An inheritance was a blessing, and then a curse, and a blessing once again.
Will your book be self-published or represented by an agency?
For me the arguments weigh in favour of going the indy route.
How long did it take you to write the first draft of your manuscript?
I’m a year in but I don’t think I could call it a first draft just yet.
What other books would you compare this story to within your genre?
It is strongly influenced by George MacDonald and falls somewhere between The Phantastes and Donal Grant. I also would place it on the shelf alongside some of Paul Gallico‘s wonderful tales like The Man Who Was Magic and The Snow Goose. There’s also a touch of Antoine de Saint-Exupéry and The Little Prince about it. I guess them’s my influences.
Who or what inspired you to write this book (story)?
The authors mentioned above but probably George MacDonald more than anyone else. I spent the best part of 2010 immersed in his work and still feel as if I have only just scratched the surface. He had a comprehensive understanding of the thin veil between our waking reality and the mythopeic unseen that is mediated through our imaginations.
The story has also become a receptacle for a lot of observations and thoughts garnered from my surroundings while I have been out walking the dog so it boils down to GM and my dog, really.
What else about your book might pique the reader’s interest?
If you have ever felt like a doormat, become resentful that others have taken advantage of your generosity and grown fat upon your labours, then this story is for you. If you have gone through life burdened by the magnificence of your family’s good name or the perceived expectations of your parents and forbears then this story is also for you. If you long to throw everything to the wind and start afresh, then it is for you, too. If you have a colourful imagination and can let yourself go into a strange world, then you’ll be ready to read “The Coat and Ring” – just as soon as I finish writing it ;-)
This month, I have the joy of working with 300 year five and six pupils from Durham City schools to turn their ideas into One Big Story: an epic and imaginative tale that will be published in paperback in October.
This one of the most exciting things I have done for a while; it ticks about a hundred boxes for the things I love doing: creative writing, stimulating other people’s imaginations and helping them to realise their creative ideas, being able to say the magical word “story” about 50 times a day and share my passion for the written word.
I’m working as part of a team alongside Christina Maiden (Off The Page Drama) and Robyn Trainer (Floral Footsteps), running whole day workshops in primary schools, getting children to invent and develop ideas for stories and working collaboratively to forge them into a coherent narrative.
Remarkably, it turns out to be quite possible to take the ideas of 30-40 children at a time and guide them into creating a story together as long as you think on your feet and prepare yourself for almost anything to happen. Not to give too much away, but we are half way through the project already and have five out of ten chapters mapped out. The children have taken us beyond our own imaginations into their own world where there are a lot of fights involving food and an awful lot of ghoulish characters in which the malevolent and comedic are theatrically blended.
It has been very encouraging to see that literacy is alive and kicking in every school we have visited so far; I’m the one getting educated.
In less than a month, we will be holding the book in our hands and you, too, will be able to read what happens when children create the sort of story that they would like to read … watch this space …
I’m currently reading C.S. Lewis’ Letters to Children – a collection of the personal letters he wrote in reply to numerous young fans who wrote to him between 1944 and 1963. It’s an uncut little gem of a book. I’m struck by the trouble Lewis took over his correspondence. It was a daily discipline that took a few hours every morning after her rose at 7.15. The other thing that strikes me (with my copy editor’s hat on) is Lewis fast and loose approach to grammar. Of course, in letters, one is less careful of grammatical niceties, but these words to a young fan are revealing, too:
… Don’t take any notice of teachers and textbooks in such matters. Nor of logic. It is good to say “more than one passenger was hurt,” although more than one equals at least two and therefore logically the verb ought to be plural were not singular was! What really matters is:–
1. Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn’t mean anything else.
2. Always prefer the plain direct word to the long, vague one. Don’t implement promises, but keep them.
3. Never use abstract nouns when concrete ones will do. If you mean “More people died” don’t say “Mortality rose.”
4. In writing. Don’t use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was “terrible,” describe it so that we’ll be terrified. Don’t say it was “delightful”; make us say “delightful” when we’ve read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, “Please will you do my job for me.”
5. Don’t use words too big for the subject. Don’t say “infinitely” when you mean “very”; otherwise you’ll have no word left when you want to talk about something really infinite.
Every now and then I drop into “Google Insights” to take the pulse of popular opinion. Today I thought I’d see what the state of play is with the relative popularity of mythical creatures.
Not surprisingly, fairies rule. But, not for much longer? While gnomes hold a steady baseline there seems to be a rising interest in trolls and goblins. In fact, if they joined forces they could push the fairies into obscurity any day now. The vulnerability of fairies is shown in a distinct downward trend in their popularity over the last six years – at least as far as Google searches are concerned.
Should we be worried about these developments? What do you think?
I’m rooting for the little green guys and their under-bridge dwelling allies, to be honest, but where do their hopes lie?
A quick look at the breakdown by country shows that is is in South Africa that the goblins are finding their strongest support and, oddly enough, the Belgians don’t give a stuff about fairies and prefer gnomes by a long way.
It would also seem that, according to some school children, goblins have been making trouble in Zimbabwe lately.
If you fancy hearing a story about the war between the fairies and the goblins that took place simultaneously with one of our world wars you can have a listen to the story, “Two Handkerchiefs” at Stories from the Borders of Sleep.