There are lots of books out there like this, making staggering claims for how they will revolutionize your life. I’d never have opened this if it had not come from a trusted recommender who was convinced enough to send me the book and tell me to read it. It happened to come at the perfect moment when I was bottoming out, and I can honestly say it’s the one that has made a difference. There are no shortcuts to hard work, lots of very hard work, but sometimes we need a little hand-holding as well as some butt-kicking and Marie does it all generously and compassionately. There are exercises to complete and it’s highly recommended to do them. I will have to go back and complete some of them as I got to a point where I was just hungry to read the next chapter. I should re-iterate, “there are no shortcuts in this book”. It might be for you, it might not be for you – but if it is for you, it’s a game-changer! Everything IS figureoutable.
This is a well paced and informative read without the epic amounts of padding that seem to come with so many promising titles. It’s not *strictly* about how to *break up* with your phone entirely. Rather, the author unpacks a strong case and gives very practical steps to take control of the relationship so the smart phone can be a tool and fun without stealing the emotional energy and attention we know we’d rather be giving to things that matter in life.
The first half of the book weaves together anecdotal and research-based evidence for the ways in which smart phones have been detrimental to our quality of life. By open admission of the creators of WMDs (Wireless Mobile Devices), they are designed to be addicting, and the evidence shows that they have us hooked. I like the tone the author takes. She presents the evidence without haranguing the reader, emphasising our choice to take it and do something or move on if it’s not for us. there was no guilt tripping or accusation. I found the exposé of just how insidious and strategic the commodification of our attention has been was starkly disturbing.
The second half of the book was the 30 day plan, which wasn’t the selling point for me as I am some way along the road of detoxing my digital life already and was just looking for something to keep my resolve on track. However, this section is full of practical advice, hints and tips, and encouraging testimonials from people who have reclaimed big chunks of life from the influence of these devices. So I didn’t do the plan, but I gleaned some good reinforcements. I think the plan would be great for those who can stick to these sort of things. Again, the author’s ‘take it or leave it; your choice’ approach was refreshing.
This book is not bedtime reading; it’s far too stimulating for the mind. It’s not a book I read at a steady pace either, I pretty much tangoed my way through it over a few months: slow, slow, quick, quick, slow. Sometimes reading with great speed and excitement, at others trying to slowly digest and apply the insights. As a steady consumer of the self-help genre and with long experience in coaching, mentoring and spiritual formation, I can say that this book certainly offers something a little bit different.
As it suggests in the title, the essential message of the the book is a call to trust and follow our intuition. This grand theme crystallises eventually and satisfyingly; however, it also comes with its matrix: a ‘mind dump’ of a lifetime of thinking and creating, researching and relating that the author has done.
Maberly builds his thesis, drawing from his experience in education, wide reading in psychology, friendships, current affairs – all becomes grist to the mill. Of course he has opinions and sometimes speculates, but you can sense ‘intuition’ at work in the early chapters, and that is the whole point. I’d recommend the reader just listen and keep an open mind. The elements do come together, like an impressionist painting.
After Part I, where he introduces what he means by the word ‘intuition’, Part II challenges us with ‘eight critical questions’. These may not seem immediately to be about intuition per se. It’s as if he’s let us peek through the window, and then taken us a circuitous route to the door, during which we learn what we’ll need to know about ourselves when we get into the house.
We begin to discern the small gestures of brush strokes in a generous distribution of quotes and anecdotes. The author uses stories very well, more with the pipe-and-scotch, here’s-my-pet-theory approach than the journalistic precision of, say, Malcolm Gladwell. However, as with Gladwell, there’s an incredible diversity of material hauled into the discussion. He doesn’t shy away from speaking unashamedly of the spiritual aspects of creativity or making certain assumptions about the cosmos. There’s a good measure of synthesis from the well-trodden paths of postmodernism and new-age philosophy, but it’s given with a refreshing naivete. Maberly is like a kid in a sandpit, building something completely awesome with whatever comes to hand.
Then, quite suddenly, I think he goes in for the kill when he comes to distinguish the ‘inituitive self’ from the ego. This was the moment in the book when my mind reached out and latched on for the ride and I felt I was about to see a new horizon. Like the greatest truths, it dips in and out of view like a ship on the swell but it is suggestive of a direction in which we might like to set our compass.
I’m a product of my generation. I’m suspicious of authority and I have no love for rules. Of course, I’m going to pick up a book like this and read it to reinforce what I believe. However, It has become clear to me that the second step of trusting my intuition is something I don’t know so much about. It doesn’t naturally follow. It’s easy enough to throw out the rule book and keep stoking the fires of the ego.
Part III of the book introduces five individuals who have ‘broken the mold’. In Maberly’s terms, they’ve followed an intuitive path and found freedom from the rules. There’s a good cross section here, from famous to relatively unknown in global terms: a millionaire, an artist, a musician, an educationalist. With the exception of Steve Jobs, these individuals are all known personally by the author. He allows them to speak with their own words, then mines their lives to show the outworking of the very things he’s discussed in the book so far.
This is an inspiring section. Each case study brings to light a story of overcoming diverse struggles. I suppose it’s inevitable that each reader will identify more or less with them, but there’s something for everyone here. For me, particularly, it was reading about the cellist and improviser Francois Le Roux that set off a magnificent domino rally in my soul: an invitation to go forward intuitively, drop the trappings and live freely. The insights here alone were worth all the words in the book for me.
To balance my gushy response to this book, I’m not sure if a skeptic would be completely persuaded. If you resist the thesis of the work, you’ll find plenty to argue with, and anyone with an aversion to pop psychology or new-age jargon will need to sit on it in order to finish reading. If that’s you, I think it’s worth trying to hear this on its own terms rather than deciding whether it maps onto your own concept of personality or the soul. I was pretty much in agreement with the ideas before I started reading, and I’ve got pages of journaling and copied-out quotes to keep chewing on.
In some ways I feel the author has made a mistake by disclosing a lifetime’s worth of wisdom that could have been eked out over several books. On the other hand, I’m grateful for such a complete agglomeration to be mined and somehow feel that his continuing journey through intuition and persistent curiosity in the future will unearth still more to share with the world. I very much hope so.
I’ve started 2015 trying to finish reading a few books that have been on my ‘current’ shelf for too long, and I’ve set myself an ambitious reading list for the year. I’m also trying to revive the discipline of writing a brief personal response on finishing a book.
While I have still not decided what to say about Whitman’s ‘Leaves of Grass’ (which it feels almost sacrilegious to comment on) and Giordano Bruno’s ‘De Umbris Idearum’ (which I probably need to re-read), or how to comment best on a couple of – excellent – books authored by friends of mine, I’ve found something to say about some other recent reads.
My rating: 2 of 5 stars
One of the few things I can conclude from this book is that neither the brothers Grimm nor the good people who narrated these tales to them were sober at the time. That doesn’t negate the work as a pretty extraordinary record of the dark, moralistic, occasionally humorous but rarely original landscape of 19th century German folklore.
Grimm seems to be back in vogue at the moment, in Hollywood, in fresh anthologies of fan fiction, in a counter-movement to ‘disneyfication’. Many of these tales certainly beg to be retold and made relevant in our day. Some of them are downright funny and have great punchlines. A few of them provide novel variations on stories we think we know. Most of them simply recombine the same tropes like cards drawn at random from a deck of superstitions.
In the world of Grimm you must be kind and generous and it’s even more to your credit if you are poor; beautiful people are good and ugly people are evil; you should avoid forests and bodies water, especially if you are a child; you can generally trust elderly people; women are either barren or remarkably fecund; children should respect their parents and compete against their siblings for their affection; parents shouldn’t spoil their children; life is pretty cheap; cunning always prevails against brute force and being a smart arse is admirable. Given how much these values are at odds with those of the 21st century I’m at a loss to explain the revival of interest …
My rating: 3 of 5 stars
Charles Williams’ take on Church History: I found it much harder to understand than his book “Witchcraft”, which feels rather like a companion to this work. Nevertheless, I glimpsed much through the shifting clouds of his prose, and what I saw, I liked. Williams does this in his fiction as in his non-fiction: he sees the whole of reality in a different way and hardly bothers to spell it out for his readers. You sort of go along for the ride and the stuff he says about the passing vistas makes you see them as he does for a few breathless moments that seem to invoke a Jungian sense of ‘oneness’.
On discovering huge gaps in my understanding of classical thought, literature and history, I have only been provoked to read more and explore further. Centrally, though, I’m broadly comforted by Williams’ essential recasting of the bloody, shameful and dark moments in Christian history. His vision enables him to discern God at work in diverse and contradictory movements, frequently pitted against each other. Central to this is his unique theological formulation of ‘co-inherence’ – that process by which humankind incubates the Kingdom of God.
There is a lot of assumed knowledge he expects in his readers, which makes some parts of the text almost inaccessible to those outside the orbit of his intellect (including me). However, a bit of background in Williams’ theology, namely the formulations of co-inherence and the ‘Way of Affirmation’ versus the ‘Negative Way’, will open up much of this to a new reader, as will a prior reading of Dante’s ‘The Divine Comedy’.
I will strive to be equal to a second reading of this book when I come to it, and in the meantime I have copied out a good few of Williams’ perfectly turned phrases to chew on and extended my reading list for the coming year.
My rating: 3 of 5 stars
Before reading this book, all I knew about chaos theory came from reading Douglas Adams’ Dirk Gently novels back in my teens. After reading it, I don’t feel as if I know a great deal more. Obviously chaos is hard for a non-mathematician to fathom, and this book needs a rudimentary grasp of a lot of related concepts which it only mentions.
It does a good job of surveying the history and development of chaos theory with specific reference to the important pieces of research and the people who published them. All the ways that chaos theory touches into economics, biology, physics, engineering and other fields is given a broad treatment.
As I tried to wrap my mind around the text, it would have been helpful to have some diagrams – it’s a ‘graphic’ guide after all. But the illustrations were abstract and pretty unhelpful. They consisted mostly of collage-style cartoons of people with romano cabbages instead of hair, interacting with scribbly representations of strange-attractor curves and a model chart of fish population growth. I can see how the gradual incorporation of different elements in the collages reflected the addition of new concepts as the book progressed, but they didn’t really shed new light on the topic. It feels like a missed opportunity to clarify things with good graphic material. ‘Strange attractors’ seem to be really important to the whole thing, but I felt that they were glossed in the early sections and still don’t quite get it.
However, I managed to grasp the stuff on fractals, time, turbulence, markets and there were a few moments when the penny dropped in spite of the brevity of the text and the obscurity of the illustrations. I have also found my awareness of chaos has expanded and I’m more likely to spot it at work and factor it into the way I see the world around me – this is a good thing. I have another book in the series – on fractals specifically – to read next, and I’m looking forward to it.
My rating: 3 of 5 stars
Although it was published in 2006, and social and online business networking has moved on very rapidly since then, there are still many useful parts in this book. Plenty of it’s predictions have come true and the overall vision of a global family is still working itself out.
I read it partly as an interesting documentary on the state of social networks back in the days when they were less populated, and partly as a handy guide to the practicalities of networking. Advice on setting up profiles, branding, developing an open and generous attitude (rather than only selling) and the bits on team and personality profiling were all good to chew on.
Lots of case studies and stories keep the interest going, but it has dated quite a lot in the last 7 years.
Read my more in-depth review of Richard Crompton’s ‘Hells Gate’ over at Orion Fiction’s Murder Room blog.
I have been labouring my way through the complete tales of the brothers Grimm, on and off, for the last three years. At first, there were curious and enchanting moments but, I have to admit, it has felt more ‘uphill’ recently. I’m not sure how to understand the resurgence of interest in Will and Jake’s collection. There has been a popular TV series and a couple of movies have tried to reclaim the tales for the dark side, after years of disneyfication; Philip Pullman has turned his pen to them, and several others have delighted in re-working them for the ‘Potter, Buffy and Twilight’ generation.
Having almost finished reading the complete works, I have my own take on the oeuvre.
When the brothers rolled into a village on their collecting expeditions, I reckon that the locals thought it would be a jolly jape to ply them with schnapps and treat them to lengthy, extemporized tales that endlessly recombined a basket of popular motifs in spirals of fantasy. These plot lines were not authentically handed down through the generations until they were captured and immortalised with pen and ink; they were made upon the spot, like the rambling narratives that children play out in the tree house and at the bottom of the garden or the anecdotes of a boozy uncle who can’t remember the end from the beginning.
For example, here is the tale of the Three Black Princesses. It is wryly amusing for the fact that it barely goes anywhere, it is clearly unfinished and there are some serious issues with overall coherence. I hope my rendition is faithful to the original.
- Book Review: Fairy Tales from the Brothers Grimm: A New English Version by Philip Pullman (thehungryreader.wordpress.com)
- The Brothers Grimm & Disney – Into the woods, Cinderella (chinabambi.wordpress.com)
- Tell It Till They Think Thursday: The Grimm Brothers (embracethecreed.wordpress.com)
Liu Xie (c.470-539 AD) was a literary critic during the Liang Dynasty, a time and place where to become a writer was a matter of a long apprenticeship in courts or monasteries and even bureaucratic documentation was a work of art. His great work “Carving a Dragon at the Core of Literature” captures both the mysticism and asceticism of the writer’s craft in all times and in all places. Although this work is about fifteen thousand years old, I go back to it repeatedly for a fresh vision and, at times, a stern talking to, in the great tradition of far eastern masters.
My translation (by the brilliant Yang Xianyi and Gladys Yang) is in a rare volume of assorted prose and poetry from the Han, Wei and Six Dynasties, published in Beijing by Panda in 1986. I found this book and appropriated it from my parent’s bookshelves a long time ago. It still contains scribbled marginal notes in my 15-year-old’s handwriting – from my Buddhist phase.
The tract as good as opens with these fine words, enough to bring anyone back to the page with fresh expectancy:
“Thoughts shaped in silence can reach a thousand generations to come.”
Liu Xie is a proponent of an immersive, intentional and disciplined approach to writing that involves every level of an author’s being:
“A man should cleanse his heart, purify his spirit, amass knowledge to store up learning, use reason to increase his capabilities, study things carefully to improve his powers of observation, and train himself in the use of the right phrase. Then the mind, pre-eminent, can seek out rhythm to guide the pen and like a skilled craftsman give fitting form to ideas.”
He goes on to give “fancy” its rightful place as “the prime requirement in writing”, assuming that the previous stipulations on spiritual purity and training have been fulfilled, of course:
“When we give rein to our fancy, innumerable paths open up ahead; we plot any course we please, inlay any invisible pattern. Would we climb a mountain? Our spirit soars above it. Survey the ocean? Our ideas reach over the sea. Whatever talents we have seem to race with the wind and the clouds; we take up a pen, inspired beyond all telling, but the work when written may express only half of what was in our hearts. This is because an idea not yet formulated may easily seem striking but it is hard to set down skilfully in so many words. Thoughts pass into ideas, ideas into language, sometimes corresponding so closely that no discrepancy exists, sometimes so loosely that a thousand li stretch between. An argument may be at hand while you seek it at the horizon; an idea may be hard by yet hid from your mind as if by mountains and rivers. So to improve his writing a man should train his mind and not count on simply cudgelling his brains. Once he knows the right way to express himself, no undue exertions are needed.”
Next, he suggests that some thinkers are slow and spend years conceiving, executing and polishing their work, while others are quick and discharge treatises between waking and taking breakfast. Wherever you fall on the spectrum between these extremes, you must embrace it.
I am very thankful to be closer to the fast end: I’m already almost bored with writing this post (in my lunch break). In a few minutes, I’ll hit “publish” without reviewing it, and I’ll move on to the next thing. I’ll probably never produce a great work like Zuo Si who spent a dozen years on his essay on the Three Imperial Cities, but I can live with that.
I get the impression that Liu Xie is telling us that, as long as the work of studying the classics, “delving into changes in style, and understanding the forms of literature” has been done “, we can “give birth to new ideas and fashion striking images” according the speed of our thought, but almost unconsciously.
Learning to write well is like learning to drive skilfully, it becomes a matter of muscle memory and reflex, with long practice and deep immersion in the canon of all ages.
Later in the work, he attacks those who “counterfeit feeling” for the sake of art. He points out that the composers of old folk songs genuinely gave voice to their anguish but that many later poets feigned sentiment for the sake of a dazzling turn of phrase. It’s a timely reminder of the need to write what we know, from the heart. This is absolutely one of my values as a wordsmith; when we tell lies, we do it with words, and yet we also propagate truth, clarity and revelation with words.
There is a sense throughout “Carving a Dragon at the Core of Literature” of the office that writers hold and the service that writers provide to society, and of the seriousness with which this must be taken. This was ever the way in less literate times and places, where even the ability to reproduce and comprehend the shapes of alphabets and pictographies was for an elite. In spite of the great syndication of the scribe’s art that has taken place since Caxton, I think there are still those who are entrusted with the continuation of this special role in relation to how humanity thinks aloud about itself … on paper.
“We cannot meet the men of old face to face, but by reading their works we can see into their hearts … A man of deep understanding and keen observation will have the same pleasure in his mind as a crowd of revellers on the terrace in spring or travellers stopping for good music and food. Just as the orchid, king of fragrant flowers, becomes more fragrant when worn; so books, which are sovereign flowers too, reveal their beauty when studied and analysed. Let men of discrimination ponder this!”
In my browser, the address bar is so set up that I often have to only type the first couple of letters of the site I want to visit. My most frequently visited sites pop up automatically – it’s like predictive text for web addresses. This makes it quite easy to figure out my most used sites for each letter of the alphabet so … here goes …
A – Art of Narrative
This is a beautiful growing archive of book illustrations with lots of fairytale pictures. Lovely to disappear into for a while and indulge the imagination.
B – Blogger
The Google based and integrated blogging platform that I have used for many years and which hosts, most notably, my Stories from the Borders of Sleep. I guess this one is at the top of the pile because I check my stats far too often.
A recent obsession with woodwind and especially flutes and whistles puts this at the top. This is THE go-to site for all things relating to the tin whistle/penny whistle. If it’s not covered here or in their forum, it’s not relevant.
Actually you need a password to access this part of the Magnatune site but this can be obtained for a nominal monthly subscription that gives generous access to all the material in their catalogue. In fact most of what I listen to these days comes from this site because they have a fantastic selection of Jazz, Folk, Ambient, New Age and Baroque music from international artists. For the monthly subscription you get a license to download as much as you want in various formats and permission to distribute up to three copies to friends. Win-win-win!
E – English Forums
It seems that I use this site more than I realise as, during the course of my editing work, I am constantly referring to the current debates in the world of grammar, style and usage.
F – Flickr
No surprises here. This is still THE social network for photography and visual stuff. On my photostream, there is a lot of analogue photography from my extensive collection of pre-digital cameras; although, since the cost of developing curbed my six-films-a-month habit, I have been putting my doodles up here.
G – Gutenberg
A huge collection of literary material in the public domain from the classics to obscure victorian histories. Most of the stuff I consider to be worth reading was written over a hundred years ago so this is where I go to get it for free.
H – Helpguide
Not sure why this comes up; I’ve only used it a couple of times. It is essentially an ad-free resource about all things health related. Articles are contributed by experts in their fields and cover Mental Health, Childhood, Aging and Diseases – anything to do with health.
I – iJourney
Again I’m not sure why this makes it right to the top as I’m not a frequent user of this site, but it is a tremendous source for mindfulness and spirituality, nonviolence and healing related articles, poetry and art. Sweet … need to check it out more often.
J – Jack Hatfield
Jack Hatfield is a mainstay of the international banjo playing fraternity, an educator and contributor to the Banjo Newsletter. Frankly, us banjo players need all the help we can get with our musical affliction.
K – Kayak
Cheap flights finder. I don’t think I’ve actually used them to buy a flight, yet, but I’ve obviously stumbled over there while daydreaming of travelling to faraway places.
L – Last FM
The streaming service and music-based social network that I couldn’t do without. Ad-free listening based on what you have listened to in the past and liked. Last FM streams music to you after figuring out what your taste is. It does not offer you much control over exactly what you listen to (unlike Spotify) but it still suits me a lot better than Spotify. I like a radio station that is tailored to my taste, that helps me to discover new artists and that doesn’t charge for ads-free listening.
M – Musescore
I have tried a lot of different musical notation software over the years and Musescore wins out for intuitive, speedy and flexible interfaces. The site also has a nice social networking element with people sharing music scores, original compositions and arrangements.
N – Noisetrade
Offering a massive catalogue of mainly Christian and indie artists on a free or pay-what-you-want sort of basis. I’ve downloaded a couple of nice things from this site and am particularly fond of the Nashville Film Composers album which totally rocks.
As it’s name suggests, this publisher has an inclination towards books with a social consciousness and a current global perspective – philosophy, biography, investigative journalism, that sort of thing. There is a handful from their catalogue on my “to read” list.
P – Pinterest
Yes … well … obviously. Another social network keyed to sharing visual material. Although many people use it as a sort of “wish list” of things they want, it is also a great source of inspirational artwork and photography. I spend a lot of my coffee breaks here and my “pin” boards are at http://pinterest.com/seeingmore/
The home of Mignon Fogarty’s “Grammar Girl” podcast – I don’t know how I’d get by without it. In fact this site is one of the most phenomenal resources of useful and educational material on the web in the form of numerous podcasts and articles.
R – Ron Block
An inspirational banjo player with Alison Krauss and Union Station, but also a deep-souled man of faith, Ron Block is one of my heroes. He is also a fellow George MacDonaldist. Sweet!
S – Seymour Writes
If you are reading this, you are probably on this website right now. This is my main personal blog that also serves as a shop window for my writing and editorial services.
T – The Session
Visited several times a week, this is a huge user-contributed collection of traditional tunes, jigs, reels, polkas, hornpipes, airs from the celtic tradition. I play in a ceilidh band and am somewhat obsessed with traditional music so this website is a lifeline.
U – Using English
I do a little bit of teaching English as a foreign language. I rely on this site a lot for lesson ideas and resources and the occasional grammar related query.
V – V&A Museum
The website for the Victoria and Albert Museum. Actually a really nicely put together and informative website detailing the current and up-coming exhibitions with plenty of little video clips and informative documentary material.
Not surprisingly, another woodwind resource makes it to the top of the “W”s. This is Christel Rice’s personal blog where she posts, among other things, lots of delicious tin whistle tunes. I have started visiting this site to train myself to learn new tunes by ear rather than from sheet music. She teaches at the New York Irish Center in Queens, NYC. Lots of great stuff for people who are geeky about simple blown instruments.
X – X Files
Iconic, cult viewing from the 90s – Mulder and Scully … what’s not to love about it. Actually I used to be too scared to watch it and have only got into the series later in life when I am old enough not to be disturbed by the compelling mix of supernatural speculation and conspiracy that underpins it. I think the series treats some pretty profound themes, not least about doubt and faith, that make it well worth re-watching.
Y – YouTube
We unplugged our TV and didn’t bother renewing our licence about a year ago. If I need to collapse in front of a screen nowadays, it is to explore the weird and wonderful world of YouTube. The anarchic geekery is an endless source of fascination, but I don’t only watch people blowing up batteries and putting marshmallows in vaccums. I find it an invaluable source of music and making tutorials as well as news and views. Lately I have been rounding off the day by catching up on news according to Russia Today (quite the most satisfying world reportage available) and blowing my mind with TED talks.
Andrew Zahn is not an infrequent reader and commenter on this blog but I’m not sure I will ever be able to compete with his energetic and creative blogging habit which has resulted in his site becoming something of a hub for discussion on all things relating to creativity. He’s not just here because of the rarity of the first letter of his surname but because I do actually read most of what he posts and it never fails to inspire without overloading the mind.