It kills me that we can’t hang out together in real life. I’m tired of reading your blogs; I want to spend these long summer days being where you are and talking to your faces. Offline life is quite absorbing at the moment and I feel as if some subtle re-consecrating and rearranging is going on that is really hard to articulate in pithy 500-word posts. In a roundabout way, I’m trying to say that I miss my blogospheric community and apologise for my recent lack of participation; you know who you are and I think of you often. I reckon I’ll find my groove again in the near future and look forward to picking up some trailing threads …
Sometimes writing in my journal feels too much like work, so I turn to my storyboard Moleskine and doodle instead – it’s never difficult to fill a simple little rectangle with something that comes to mind. I never try to read too much into what comes out on the page and you shouldn’t either. I have to admit that some of this latest batch is influenced by Graham McCallum’s book “400 Art Deco Motifs“, which is a recent source of inspiration.
This book is well on its way to being a classic and an essential rite of passage for anyone who wants to write for pleasure or professionally.
Julia Cameron has set herself the mission of debunking the myth of “writers” being some special class of human being who must starve in a garret for the sake of their craft and uses her words to gently liberate and nurture the essential writer that she believes lies in every person.
The accumulated wisdom of her years as a working writer and a creative writing teacher is presented in a series of short essays (each just a few pages long) that finish with a practical “initiation tool” to bring the reader to the page with pen in hand.
This book can be approached either as a “writing course” to be worked through over a couple of months, but I suspect it will be of more value as something to dip into as an “unblocking tool” or when inspiration is flagging. If read from cover to cover, like a normal book, the author’s tendency to repeat the same themes tends to lessen their impact and there is no detectable unfolding of a journey that links the chapters; they stand alone. So, it is best considered a collection of essays that meditate upon Julia’s core convictions that the act of writing is for everyone to enjoy and it doesn’t need to be a chore.
Some of the essays really clicked with me, others didn’t seem to meet a felt need directly but may well do for another season. On this reading, I particularly enjoyed Julia’s affirmation of the writer as an observer of things that seem to enter the imagination from another source: the Divine, the Universe, something beyond ourselves. This certainly describes a dimension of my own experience.
Julia’s style is richly evocative of the senses. She always describes where she is as she is writing. She then seems to weave her message from her current experience or whatever is turning over in her mind at the time. Some of her lines have the potential to become proverbs and I found myself copying out numerous quotes into my journal. I did not attempt all of her initiation tools in any sort of disciplined way but used several over the last year and will return to them repeatedly.
The Right to Write has been a good companion over the last year and will bear returning to again, especially on those days when I feel that perhaps I should give up and get a proper job.
Blame three things for this post and all that follow it in a similar vein.
Firstly, I have been following a series of posts on this | liminality where Barbara has been meditating on 26 seashells given to her by a friend and posting on each of them in turn; weaving something of her present state of mind and sense of place with the thoughts suggested to her by each seashell. The idea behind this project has not only intrigued but haunted me in an unexpected way. The sense that objects can prompt insights and fire the imagination resonates with my own quest to find the supernatural dimension in the everyday and commonplace.
The ability to anchor our inner self to the outer world through the power of symbolism is a huge part of what it means to be human.
Secondly, several months ago I went to a local bead shop to purchase an array of beads for our youth group to use in making their own “prayer bracelets”. I wanted them to explore the things they had learned on a weekend away, to find beads to symbolise those things and literally bind them on their wrists. When I told the sales-person of this she became very interested and very helpful in choosing beads. But, she also showed me a bracelet that she was wearing that was made purely from items that she had found. It is amazing what gets left lying around. Every component of the bracelet, therefore, had a mysterious history and was also associated with a time and a place and a moment in her life.
Thirdly and finally, David from “My Seed of Truth” contacted me recently about writing a piece of short fiction to string together some of the themes from his life that have lead to the “My Seed of Truth” project. It was while turning over a few ideas for a story last night that I hit upon an idea for another sequence of blog posts … the wisdom of Things Found.
I’m not alone in being a hoarder of Objets Trouves, from curiously shaped or coloured pebbles and bits of glass to twigs and pine cones and broken jewelry. My plan is to bring some of these found things to light and to see what they might have to say. Sometimes God speaks unexpectedly through the things we see, sometimes they prove to be the key that unlocks an insight that has waited for the right moment … who knows what might be discovered through the Wisdom of Things Found?
I have kept journals since I was about 15 years old and they have always provided a rich fermentation of ideas that has fueled various creative projects over the years. Earlier this year I found things getting a bit stale (as they do periodically) and I switched to producing a “doodle a day” instead of expecting myself to write (they now have their own Flickr Set). This is now an occasional activity rather than a daily one but since I try to do something visual on this blog at the weekends, here are a few of the more recent doodles.
About seven weeks ago, I was embarking on the four days of heady alternative reality that was Greenbelt 2011. The good folk of the Feig community based at Gloucester Cathedral held a Communion service in the midst of a lavish feast for what looked like about 200 of the contributors on the Thursday night prior to the start of the festival.
It was special… for me, there was a strange circularity about being in Gloucester Cathedral for the second time in my life. The first time I was there was nearly 20 years ago as part of a primary school residential trip, many miles away from my home in the Thames Valley – probably the first time I had been away from my parentals for more than a couple of nights. I saw the shadow of my thirteen year-old self admiring the cloisters, innocently unaware that life would bring me back there two decades later as a very much more grown person who was wondering (as I often do) what happened to the little boy in me.
These were the things turning over in my mind as I broke bread with many others I had never met before, that night. As part of the service, we were encouraged to choose one from the hundreds of postcards scattered about the interior of the Cathedral where the hard pews had been stripped away to restore it to its original medieval awe-spaciousness. We then wrote on the cards and addressed them to ourselves and “posted” them. I was delighted to come across a fragment of a favourite artist: Breughel.
Of course, for me, it is a picture of heaven/home – a place that has very much been on my mind as since a recent post from This | Liminality stirred my thoughts again on the matter and meaning of “Home”. But here is what I wrote to myself:
Hey, Seymour, I just want to say two things. Firstly, take some time to really look at this picture and notice the detail. Those guys are using a door to carry food! And check out the dog! I think you’ll like this – you should be the guy with the spoon in his hat – he’s giving it away but he’s ready to enjoy some of it himself, too. Secondly, that openess and laughter you had inside you this morning … I just want to remind you that where that came from was real. Don’t lose that 🙂
Yes, my eye was drawn to the chap with a spoon in his hat. He reminded me of a couple of lines from Mevlana:
“The people here want to put me in charge. They want me to be judge, magistrate, and interpreter of all the texts. The knowing I have doesn’t want that. It wants to enjoy itself. I am a plantation of sugarcane, and at the same time I’m eating the sweetness.” (Tr. Coleman Barks)
Scientists demonstrate that when a string of certain length is sounded in the vicinity of other strings of differing lengths, all those strings that are the same length or other specific mathematical variations in length will begin to vibrate in harmony. This is a picture that plays a very full chord for me as I look at it afresh today. The people who, in my experience, give the most life to others are those who really know how to enjoy its sweetness themselves.
From the nobleman on the right to the cardinal on the left, the dog under the table, the cook, the bride, everyone is welcome. Let’s tear the doors off, bake bread and stir lentils until we are truly home!
To anyone at Feig who reads this: “thank you”, from the bottom of my heart.
To myself: send yourself a postcard every once in a while …
To everyone else: Which of these revellers are you?